New Mexico - Texas Ebooks
Rock Art Sites
The Rock Art Museum
Rock Art Information
Rock Art or Native American Rock Writing in the Southwest
firstname.lastname@example.org Also review:
As many of
you know, Ken Johnson did not survive a journey into Davis
Canyon and died on June 21, 2015. Ken was preparing for
the launch of
after successfully introducing
we had visited many Rock Art sites with him, and
were scheduled to review more sites on June 23-24 around Ferron.
We will summarize our adventures with Ken over 5+ years in an
Ebook which will be available to the public and is a tribute to Ken.
We estimate that we visited 100+ sites with Ken and
experienced many serious and humorous moments on those trips.
Our style is to disclose site locations only to trustworthy partners, Ken's style
was not to disclose site locations, so site locations will not be
a feature of this book, There will be "teaching moments"
regarding Ken's reaction to the site and the information
presented, safety and preservation (please heed), ethics, honesty, integrity, and
on dog care since Ken's canine companion, Stetson, enjoyed
visits to many of the sites with him.
2016 NEW Ebooks Coming -
Procession Panel, Conib, CWWR. Picture Canyon,
2016 - our major
planned trips will be to Idaho (We have a lot of potential
sites to visit but need advice on prioritizing them), Wyoming (We probably have
a full schedule of visits to smaller sites, but would like more large sites to visit), and Montana (Site
visitations that we have identified are about 1/day with a lot of driving between sites) - If
you can help, please contact us and we will
try to reciprocate.
Recent Visits -
Red Ochre Alcove , Dinosaur National Park, North
, Angel Canyon, Paxson Shearing Corral , Round Tank
, Great Stone
Face, Devil's Kitchen, Manderfield 1 and 2, Fremont Indian State Park,
Buckhorn, The Juggler, Short Canyon, Aztec Cave, Red Hand Cave,
Snake Gulch, Paiute Cave, Waterglyphs, Hildale, Little Creek Mesa, The Perfect Panel
Knapp Canyon, Arizona Strip Canyon, Corral Alcove, Conib, CWRR, Picture
Canyon, Yellow Plug, Yellow Yucca, Aztec Tank, Barclay Canyon
Exploring Rock Art is a valuable resource for Archaeologists,
Researchers, Photographers and those familiar with Rock Art sites in the
Southwest. Use the Ebook as you plan your Rock Art visit to make you
familiar with the site.
Exploring Rock Art is dedicated to
preserving Native American Rock Writing (Petroglyphs and Pictographs). The
sites are disappearing rapidly with natural degradation, residential and
corporate development and expansion, plus intentional damage or destruction.
And BLM states they cannot protect all the sites. The Rock Art belongs to the citizens of the United States. We do have the
right to view the sites and an obligation to protect them. Leaving the site in the
same or better condition (possibly picking up some trash) is important to the
Native Americans and to preservation of the site. Accordingly more
responsible visitation should be our goal.
Recording these sites is necessary for future generations
to enjoy and study them. We try to preserve the site information through
our Ebook Project and Photos.
Exploring Rock Art
publishes a series of books titled "A Visitor's Guide
to the Rock Art of Site Name".
The emphasis will be on
the Rock Art of the Southwest United States.
Note the presentation on Rock Art Etiquette. I have observed several undesirable acts on field trips,
reviewed many pictures and feel that certain actions need to be corrected - by education.
www.exploringrockart.com and the Coalition to Preserve Rock Art believe that education of the public and
also the governing authorities, will aid in the Preservation of Rock Art.
That is our objective. Enthuse
interested parties and the public with the grandeur of Rock Art locations and the possibilities of preserving or protecting the sites.
BLM readily admits they cannot protect all the sites, and they should welcome
the interest and involvement of responsible and concerned citizens. The people of the United States can accomplish a lot when they set their minds to it. If a sufficient amount of people become seriously involved (gain an appreciation) and put pressure on fellow citizens and on the government, we can save some of the sites presently endangered. Government projects (particularly Oil and Gas Drilling,
Water piping, etc.), industrial expansion, residential growth, and disrespectful citizens are the real problems to the Preservation Process. Let's convert those that we can from problems (enemies) to
AWARENESS . EDUCATION .
Native American or Indian - Rock Art or Rock Writing
A Conversation in late June 2010 in a Northern Arizona BLM Office (my comments in black):
Do you have any Native American Rock Art sites in the area?
Receptionist - Our Archaeologist does not talk about them.
What's the notebook on the table labeled Petroglyphs?
I don't know - and then she handed it to me - the notebook had a few
pictures of petroglyphs but more information about plants, geology, etc. And then a male archaeologist walked into the lobby.
You know there is an ongoing debate on whether more visitation or less visitation to Rock Art
sites is better?
We don't talk about Rock Art sites and anybody taking the position of
more visitation is just wanting to view the sites.
We recently had significant damage at a local site.
And was the damage at a private BLM site or a publicly known site?
Silence - Silence - Silence - And then a frustrated
silent walk away
The point that I get out of this conversation is that
some BLM officials don't care as much about Rock Art as we do. There are many
others that advocate preservation and we should be in contact with them
regularly to report and discuss site locations and to report damage (feedback to
the interested party, or the reporting part, should be a necessity. I and
others are very disappointed by the lack of feedback and the noting of any
positive action taken - prosecution, reprimand, signage, more regular visitation
by site stewards). However, a few are more interested in upholding their
interpretation of "policy" whether it's right or wrong, and are not interested in getting the right people involved.
Also, there are generally no local Educational Programs regarding the correct
way to review a site (and the wrong way of handling a site visitation) sponsored by the BLM.
BLM needs a comprehensive, focused
program on Preservation with invitations to
the Public to regularly attend. The
plan of hiding site information from the public (some of the public does know
the site locations), not divulging, does not always work when there is no
alternative plan available. Our thoughts are expressed at Rock Art
Etiquette on this website.
In 2010, one day previous to the
above discussion, we visited a site at Cloride, Arizona advertised by a
billboard and with directions by the Cloride Chamber of Commerce and saw a site with no recent damage. There were many visitors (4
cars while we were there). So again the question - which provided better
preservation - more visitation or less visitation? We visited Cloride
again in December 2012 for better pictures and found no damage. Good job,
Public, keep it up, it is important.
The answer to the question of more or less visitation is not evident yet. Somebody knows about all the sites
(hiker, explorer, ATV'r, horseback rider, gps mapper, geo-caching participants, etc.
- I have seen all of these groups at Rock Art sites and you probably have also), we can only hope that
"the good guys" know about the sites. But observing the damage that we
know that's not true. More Education is needed and it doesn't seem to be
We have also visited many Arizona Rock Art sites which have
tremendous signage and sufficient warnings, mostly in Southern Arizona, so this is not knocking Arizona as a whole, just knocking closed mindedness. Many
in Arizona believe in, and are proponents of more Education. I wish more were.
Regarding Rock Art, BLM Archaeologist Sarah (Sally) Cunkelman is reported to have said "Ultimately these sites belong to the public, and protection of them is up to the American people."
And that's the reason for an organization like the Coalition to Preserve Rock Art and for
www.exploringrockart.com to exist.
THIS SITE IS DEDICATED TO THE
PRESERVATION OF ROCK ART. THE PRIMARY NEEDS ARE TO MAKE THE COMMUNITY AWARE OF THE IMPORTANCE OF THE ROCK ART AND THEN
PROVIDE EDUCATION ON THE WAYS TO PREVENT DESTRUCTION AND DAMAGE TO THE SITE.
BLM IS RELUCTANT TO UNDERTAKE THE EDUCATION PROCESS SO MAYBE THEY SHOULD RELY ON
ORGANIZATIONS SUCH AS OURS TO DO IT.
THE PRIMARY TOOL TO ACCOMPLISH THIS
EDUCAION IS THE
PRESERVE ROCK ART. IN ADDITION MANY OTHER ORGANIZATIONS HAVE A SERIOUS AGENDA TO THE PRESERVATION PROCESS.
THE COALITION TO PRESERVE ROCK ART REGULARLY GIVES PRESENTATIONS TO GROUPS INTERESTED IN THE ISSUES AND DISTRIBUTES INFORMATION TO THE COMMUNITY TO ASSIST IN THE EFFORT. THE COALITION ALSO IS CURRENTLY ADDING MEMBERS AND SHOULD YOU BE INTERESTED, PLEASE SEE THE MEMBERSHIP FORMS SHOWN UNDER THE COALITION TO PRESERVE ROCK ART
PAGE. NO MEMBERSHIP DUES, WE JUST REQUEST YOUR SUPPORT AND YOU WILL BE ADDED TO OUR EMAIL LIST.
Specific location information will only be given for those sites with public information already available - either by a government agency, in a book, or previously appearing on a website. Specific location information will not be given on sites that are relatively unexplored or if the information is not already in the public domain. We do intend to cooperate with validated researchers who are interesting in sharing information.
You can help us and you by joining the Coalition to Preserve Rock Art. Please get involved.
FOLLOW US ON
twitter.exploringrockar, and twitter.explorerockart
Ebooks, and the website are copyrighted and are not to be copied or distributed.
Copyright 2014© by
www.exploringrockart.com. All rights reserved.
Articles and pictures in this book are copyrighted.
Users are forbidden to reproduce, republish, redistribute, or resell any
materials from this book in either machine-readable form or any other form
without permission of
www.exploringrockart.com or payment of the appropriate royalty for
For permissions and other copyright-related questions, please email your